What’s missing: It would be cool if you could map the LFO’s to multiple parameters simultaneously. Also by combining the different LFO’s you can get some really interesting movement. What’s best: Enables modulation possibilites that were not feasible before. Renders some tasty results especially when applied to FX parameters that did not previously have modulation possibilities. Allows you to apply 1-3 LFO’s (low frequency oscillators) to any parameter in Ableton. The LFO-One is a fun and flexible tool for production or performance, again just a nice little simple object that does exactly what it says. What’s missing: I would like the MIDI to quantize pre clip, so that you wouldn’t have to do this little double track trick. What’s best: Makes live looping a breeze and totally satisfying, get it right the first time. This way the MIDI incoming to your track will record as quantized. An easy work around is to create a blank MIDI track, put the quantize object on it, then send the quantized MIDI to the MIDI track you want to play.
![max for live visuals using ableton max for live visuals using ableton](https://venturebeat.com/wp-content/uploads/2018/09/AirPower.jpg)
Something I discovered is that since this effect is applied post incoming MIDI, if you record a MIDI loop with this effect ON, it won’t record as quantized, but it will quantize post-clip. There’s also a shuffle amount, as well as triplet mode for more advanced quantization modes. Pretty straightforward, just quantizes incoming notes to 1-1/64 based on the master tempo. What’s missing : I’d love to see some filtering and pitch modulation parameters in the next version.Īlthough Ableton does have a midi record function (edit –> record quantization) its a bit limited and you can’t access its parameters using midi, nor does it have a shuffle function for those among us who like to get funky. What’s best: Easy to use, sounds great, trippy, and really functional. You can also just use it as a regular repeat by toggling between “straight” and “reversed.” Not to say there aren’t a bunch of pre-existing plug-ins that don’t create similar reverse effects (such as Turnado, Stutter Edit, and DBlue Glitch), but as mentioned previously, the joy of these effects are in their simplicity, the fact that they run natively in Live, and their negligible CPU usage. When you hit the aptly named “woop” button, it snags a chunk of sound, reverses, and repeats it at the rate specified. It’s basically like a simplified beat repeat, but the great thing about it is that you can set it to “reversed” mode which makes it activate “reverse” repeat. This neat little effect slaps right on any audio or MIDI track with audio output. One final thing that makes these patches great is the open arms community around them that thrives on feedback, collaboration, and modification.Īnd, without further ado, here we go! REVERSE (aka JC Reversr b004) So, discovering all these super low profile FX and functionality add-ons has been quite exciting. Plus, when performing, I can’t afford to sacrifice even 2 milliseconds of latency- I need my samples to launch exactly when I hit the button. Call me crazy, but with an older Macbook, CPU optimization is crucial. For me, that’s a really big deal because I never use any third plug-ins when I perform live. Probably my favorite thing about Max4Live patches is that they run natively in Live. I’ve sorted through the archives and picked out five basic, but totally awesome M4L patches that I simply can’t live without.
![max for live visuals using ableton max for live visuals using ableton](https://musichackspace.org/wp-content/uploads/2021/07/MarkTowers-LOM-on-demand.001.jpeg)
Suffice to say it has a notably steep learning curve, but never fear – there is an awesome community of programmers on the internet who build M4L patches and give them away for free. One of the things that really sets Ableton Live 8 in a league of its own is the ability to create your own effects, instruments, and MIDI functionality using the extremely versatile object based programming environment, MAX/MSP.